Camera One Wester Park addresses the viewer in a comparable, abstract way.
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In The Iceman Cometh, the viewer is witness to a still from a gruesome story.
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They prefer to appeal to what you could call the viewer's visual intelligence.
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It is the missing subject that reveals what we, as viewers, desire or require.
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His work reflects in a humorous way on the relation between art and the viewer.
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On entering the space, the viewer is immediately confronted with the piece z.t.
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In the end, it is she who takes possession of the viewer by dint of her presence.
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Dense, matted surfaces confront the viewer with their dominant two-dimensionality.
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Kriemann takes the viewer on a sort of roller coaster ride through the 20th century.
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