Bell’s art is preceded by his work within the Black Power and Aboriginal Rights movement over the 1970s and 1980s.
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By the interplay of fiction and the resort to power of imagination, he establishes a fictional historical stratum.
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It addressed key questions such as: How do artists today view the historic or contemporary acts of colonial powers?
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It addressed key questions such as: How do artists today view the historic or contemporary acts of colonial powers?
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It addressed key questions such as: How do artists today view the historic or contemporary acts of colonial powers?
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Barbara Visser is similarly interested in the power of representation and in particular the distorting effects of memory.
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Nina Thibo (Mr. Motley, Powerplant) wrote stories based on the images that Klap and De Groot sent her by e-mail from China.
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From these revelations Tee selected the most visually powerful moments and incorporated them into the script for the videos.
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A characteristic feature of Madani’s works is that they have the power to direct the viewer’s imagination in a variety of ways.
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