He sketches a merciless picture of how, during the twentieth century, Western men and women progressively 'disencumbered' themselves of the onerous aspects of human existence: traditional standards and customs, social and family structures, sexual reproduction ... until, in The Elementary Particles, even death itself is finally banished.
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It wasn't that X was attempting to dissolve the object or that his aim can be neatly understood within a (traditional) conceptual framework, but rather that there are some aspects of this work (democratisation, rhythm, repetition, exposing of a root...) that, strangely enough through the affirmation of the object, somehow manage to cite conceptual tendencies.
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Among the driving factors of this decline are, the monopolization of the seed market (with only three companies controlling more than half of the global commercial seed market), our focus on a few varieties that fit current trade, growing, harvesting and processing requirements, and the displacement and disappearance of smallholder farms (which offer the ecological niches in which this diversity has traditionally been cultivated).
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Among the driving factors of this decline are, the monopolization of the seed market (with only three companies controlling more than half of the global commercial seed market), our focus on a few varieties that fit current trade, growing, harvesting and processing requirements, and the displacement and disappearance of smallholder farms (which offer the ecological niches in which this diversity has traditionally been cultivated).
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