Adapting this strategy in a discursive manner, curator and researcher Alexandra Landré will engage each contributor to the Scenographies programme in a series of Prologues.
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Sometimes they succeed in giving the past that they dig up there a place in the present – and their strategy in doing this is to try to make a meaningful story of the past.
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For large sections of the art world, painting is after all still the most privileged medium, and invoking the great history of painting is still an effective prestige- and price-enhancing strategy.
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That fits with a tried and true strategy followed by many artists in the 1990s when they, just as thirty years before, massively sought alternatives for the familiar exhibition spaces like galleries and museums.
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Her photos, including the people she invited to show and talk about their own history and that of LA and the related iconography of the film industry, can be viewed as both a bittersweet homage to her adopted city and a Brechtian strategy of self-reflexivity.
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Alternatively, the approach described becomes a repetitive strategy, whereby the artist selects a series of partially related incidents in history as starting points for artistic examination – as in Florian Wüst’s practice, through which he researches one seminal happening after another that have had some impact on American and German history.
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Covering a cross-section of disciplines, the confirmed experts include: Gabrielle Schleijpen, director of The Dutch Art Institute; Nicoline van Harskamp, artist; Steven Pemberton, researcher at Centrum Wiskunde & Informatica; Katya Krupennikova, curator; Nehad Abboudi, computer engineer; Ebel Kemeling, strategy advisor and business initiator; and Irina Souch, professor of literature, among others.
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Covering a cross-section of disciplines, the confirmed experts include: Gabrielle Schleijpen, director of The Dutch Art Institute; Nicoline van Harskamp, artist; Steven Pemberton, researcher at Centrum Wiskunde & Informatica; Katya Krupennikova, curator; Nehad Abboudi, computer engineer; Ebel Kemeling, strategy advisor and business initiator; and Irina Souch, professor of literature, among others.
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