In Militant Bourgeois, Evans has sought explanations for this paradoxical state of affairs in Existential philosophy on the one hand and Dutch history on the other, particularly Amsterdam’s ‘Golden Age’ when Rembrandt and his contemporaries found patrons amongst the newly rich merchants presiding over what was then the financial centre of the world.
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The starting point of this exhibition also stems from the paradox that tourism still involves romantic, if not paradisiacal imagery, whereas the tourist experience is actually shattered by all kinds of forces that haunt our daily lives: commercialism, gentrification, the complex entanglement of migration and tourist destinations, war, and fear of terrorism.
article

The starting point of this exhibition also stems from the paradox that tourism still involves romantic, if not paradisiacal imagery, whereas the tourist experience is actually shattered by all kinds of forces that haunt our daily lives: commercialism, gentrification, the complex entanglement of migration and tourist destinations, war, and fear of terrorism.
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