Accordingly, during this tour Zego will not restrict her comments to informative details about Madani’s practice, but in an unconventional manner will relate what comes to her mind in response to the works.
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Perhaps this common quality lies in the artists´ economic and efficient attitude towards medium and technique – their special attention to detail which conveys a particular kind of respect for life as such.
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Details differ, passages from the first story are omitted from the second, and vice versa - the memories are largely the same, but small discrepancies have crept into the nuances, and hence also into the tone.
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This collage establishes for the viewer, from a few scant details, a striking graphic which resonances strongly within our collective recognition making a painting, suggestive of a disquieting and disturbed world.
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The detailed, life-sized pictures, as shown in the white spaces of the STUK exhibition, portray the material quality of the damage even better than when one is faced with the real objects in their existing surroundings.
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He began his Disaster Sites series in 1999: using a view camera, he photographed various locations where a great disaster had once occurred, printing the photographs in large format to produce a monumental, detailed image.
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The scenes are transient yet archetypal and they could, in fact, be anywhere as there are no revealing details or particularities to set them apart and yet through the process of filming, they become singular, fascinating.
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These details seem somehow important against the inscrutable backdrop of the mountains: evidence, perhaps, of the accumulative tasks that we make each day as a method of compartmentalising the fleeting nature of daily life.
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Society is obsessed with its failures, micro-analyzing their details in multi-volume accident reports, or in strangely compelling shows like the Seconds from Disaster series, which atomize and then recreate every tragic second.
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Contrasting with the violent, expressive scene is the desolate, threadbare way the paint has been applied; against the enormous formats, miniature details - a packet of cigarettes, a plastic cup - leap out, disrupting the pictorial unity.
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