I mean, we all want to imagine that we have some profound statement to make about our lives or our hopes – but most of the time it’s all already been said.
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You could say that it is precisely because the statements presented here are not about art, that the exhibition as a whole is exclusively about the purpose of art.
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We take this statement from the Forensic Art and Illustration handbook (p. 525): “It is the integrity of the witness presenting the image that must be demonstrated.
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The information is personal, time based and intends to satisfy the never-fulfilled need of commodity culture to find the personal backgrounds of artistic statements.
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In other words, every revision of the purpose of art says something about the purpose of art and nothing about the world around it; a synthetic statement is impossible.
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For "Invitation No.75" six artists were approached to make a visual statement about their position within their professional practice and (commodity) culture, as they see it.
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Di Massimo is a resident at De Ateliers in Amsterdam, and has shown at venues including the Kadist Art Foundation in Paris, Witte de With in Rotterdam and Art Basel Statements.
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Carolyn Birdsall, who is Assistant Professor in the department of Media Studies (Television and Popular Culture) at the University of Amsterdam, will provide an introduction statement.
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Their participation in this exhibition will be a visual statement around Bernhard Wilhelm's label, using the winter 2004 menswear collection (which was presented last June) as the starting point.
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John Berger backed up the statement quoted above with that classic example of the representation of perception, Magritte’s The Key to Dreams (‘English’ canvas from the La Clef des Songes series, 1935).
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